My artworks take a critical view of social, political and cultural issues. The transformation of society between the “online and offline” of the immediate past and the present is my main focus. I take inspiration from textures like those of objects degrading, decaying, rusting, or corroding over time. The complex structure of the combination of broad brushstrokes with specific colors (blues grays, browns, and greens) assumes extreme importance in the artwork, taking a critical view of social, political, and cultural issues by suggesting a somber, furtive, and enigmatic mood.
I try to expose a contemporary vision of major political narratives and fundamental, universal topics such as the abuse of power, exploitation and oppression, and also of a personal, individual human struggle. In my research as an artist, I intend to deconstruct reality, fairy tales, old photos that depict childhood, and adult culture, in a discourse that challenges existing political, economical, social, and technological paradigms. Last but not least, I intend to explore the relationship between man and nature in urban environments in an attempt to obscure historical and political references with personal memories, film references and scenes from the entertainment industry, and elements from art history.
