I neither draw nor paint my works, rather I see my sewing thread as a fragile pencil from which little stories sometimes originate. I have a affinity for the less than glamorous ones. My approach to image work is curiosity, both for the medium, materials and the deviation from the norms. At the same time I’m also deeply curious about what may emerge from the depths. Sometimes it all ends in an altercation, but the pictures that emerge from it are often the most rewarding. For me. Especially when works of art become visual conduits for emotions, both the ones that nurture but not least the ones that sting.
