Andrey Novikov’s new painting project, “Civilization,” extends his meditations on humanity’s destiny and influence. The work once again features gigantic fragments of ancient sculptures, but their role is transformed.
“Civilization” is Novikov’s contemplative gaze into humanity’s potential futures, a humble attempt to visualize and grasp the various paths that mankind might tread. Unlike his previous work, the future here appears desolate and bereft of life. Small, solitary human figures seem almost lost against the imposing backdrop of stunning futuristic designs.
These antique sculptures, once emblematic of human ideas’ power, now serve as unknown energy sources that fuel the structures of tomorrow. Their function has shifted, their role now hinting at salvation or preservation of human heritage.
“Civilization” paints a somber picture: the tragic demise of mankind. The lifeless world, isolated figures, and stark technological landscapes symbolize the Great Filter, echoing the unsettling questions raised by the Fermi paradox. The abundance of futuristic constructs nudges us to ponder the likelihood of a civilization’s inevitable downfall. Alas, considering the Great Silence of the Universe, this probability appears dishearteningly high.
