Ole Marius Jorgensen’s latest series is a direct acknowledgment to the influences that have endured since the artist was a young boy. These series are constructs of childhood memories, from family and friends to directors and artists who have inspired him, and are now represented subtly – or prominently – in his works. 

Intertwined within in each work is a soft ode to American cinema demonstrated by the influence of Hitchcock and the gentle work of artist Edward Hopper, which are a constant hum in the ear of the artist who is enamoured with mid century American landscapes.

The artist Edward Hopper

“Slow Night” is his most recent work that captures the unique atmosphere of Hopper’s work with a contemporary narrative. A late night café on a slow night.

The book “The Red Couch”

“Its red, wrapped in plastic”Another early influence in Ole’s early career was the book “The Red Couch: A Portrait of America.” by Kevin Clarke. Its red wrapped in plastic is Ole’s homage to the wonderful series of photos, with a characteristic mysterious and dark twist.

The director Alfred Hitchcock

 “Between Lights” is Ole’s most direct response to the work of Alfred Hitchcock. The setting is reminiscent of the light and landscape from many of the director’s movies.

His Uncle: The mechanic

 “The Melancholic Mechanic” is his most Hopper-ish work that beautifully captures the palate and mood of the artist’s work. This work is a gesture of gratitude to his uncle who has supported and been a model in the majority of the artist’s series of work. In this work however the mechanic is transported from a mid west landscape to rural Norway.

His Aunt: The eccentric 

 “My crazy aunt” The artist’s aunt was an early supporter and sometime model who encouraged the artist to follow his dreams. This work is Ole’s tribute to his other major influences, the director Steven Spielberg and the writer Stephen King.