Il l believe my paintings are diverse of the divine celestial human beings.’
My paintings happen to accidentally form through my sub-consciousness, seeing the way out itself. The subiect emerges, rather than me to have an urge of it. This is a mystery that I continue interpreting during the period I work.
Creating a piece that has no relation or link with anything. They outstand with their integrity, the reliability in the process of blending the techniques in sustainable terms, a metaphor evokes the emotive qualities of the figures. Having fervor for a female form with a verse is quite exquisite in a way and has been dominant in many aspects of life, including my paintings. Also, figures ore not having a physical ubiquity. My compositions are focused on a subiect that leads to the complexities and the cl egory of the human condition. What’s witnessed is a solidified and enhanced version in every materiality of the body, closely linked to the gesture of the human form that transpires in various situations.
I hove on emphasis on drawing a line, leading to explore the essence of elements, also exploring their interrelation in terms of forming a specific yet multifaceted narration.
My works are tactile with a texture created that is subtle and tender on the surface. They all have the same appearance to some extent still they keep evolving at their intensity. The gestural brushwork carries forward my unrestrained, expressionist technique of the preceding decade
I have acknowledged that the impasto application of oil paints is what thrives me. Having a gradual drying process and a thick consistency makes it look sophisticated and adds a long life. That is what puts me in owe of oil paints. The colors in the paintings have the same surface, yet I seclude them individually through specific lines.
